What figurative language is used in Sonnet 130?

In sonnet 130, Shakespeare uses one simile, one litotes, one metaphor, and one personification, as figurative language in this sonnet and also uses eight imagery such as four visual imagery, two olfactory imagery, one auditory imagery and one kinesthetic imagery.

What literary devices are in Sonnet 130?

Some main literary devices used in Sonnet 130 are juxtaposition, metaphor, rhyme, meter, parody, blazon, assonance, and alliteration.

What is Sonnet 130 analysis?

Summary: Sonnet 130 This sonnet compares the speaker’s lover to a number of other beauties—and never in the lover’s favor. Her eyes are “nothing like the sun,” her lips are less red than coral; compared to white snow, her breasts are dun-colored, and her hairs are like black wires on her head.

What are the figures of speech in Sonnet 130?

In Sonnet 130, Shakespeare uses figures of speech such as visual imagery, metaphor, and, above all, antithesis. He also reverses the usual functions of two other figures of speech, simile and hyperbole.

What is the main theme of Sonnet 130?

The main idea in Sonnet 130 is to challenge those poets who use too much hyperbole when describing their loves. The use of hyperbole and cliché originated with the poetry of ancient Greece and Rome. It was a convention during the Elizabethan era – and the royal court – in both literature and art.

What is the symbol of Sonnet 130?

The symbols Shakespeare uses in this poem serve to enhance the imagery he creates in describing everything his lady is not. For example, he uses snow as a symbolic standard of a pure, pristine complexion, and his love, whose skin tone is “dun”, does not measure up.

What do the last two lines of Sonnet 130 mean?

Here are two lines in plain English: the speaker thinks that his lover is as wonderful (“rare”) as any woman (“any she”) who was ever misrepresented (“belied”) by an exaggerated comparison (“false compare”). These last two lines are the payoff for the whole poem. They serve as the punch-line for the joke.

What is the attitude of Sonnet 130?

The tone of Sonnet 130 is definitely sarcastic. Most sonnets, including others written by Shakespeare, praised women and practically deified them.

What is the style of Sonnet 130?

Sonnet 130 consists of 14 lines. It is a traditional English love sonnet, which is divided into three quatrains and a concluding heroic couplet in the end. The poem consists of external rhymes. Its rhyme scheme has the form abab cdcd efef gg.

What’s the attitude of Sonnet 130?

Is there imagery in Sonnet 130?

Shakespeare uses imagery in “Sonnet 130” to parody conventional Petrarchan love language. For example, he notes that his lover’s eyes are not like the “sun,” her lips are not “coral,” her cheeks are not “roses,” and her breath is not always like “perfumes.” Nevertheless, he still loves her dearly.

What is the structure of Sonnet 130?

What is the problem or conflict in Sonnet 130?

The “problem” in Sonnet 130 is that Shakespeare is attempting to write an over-the-top sonnet full of elevated language about a woman who is clearly only ordinary looking — or perhaps even ugly. Click to see full answer Furthermore, what is the conflict in Sonnet 130? As any she belied with false compare.

Attitudes, themes and ideas The main idea in Sonnet 130 is to challenge those poets who use too much hyperbole when describing their loves. The use of hyperbole and cliché originated with the…

What is the summary of Shakespeare’s Sonnet 130?

“Sonnet 130” is a satirical sonnet by William Shakespeare. Shakespeare wrote the sonnet as a parody of traditional love poetry, which typically overexaggerates how beautiful and wonderful someone is. Shakespeare wrote the sonnet sometime before 1609, which is when the sonnet first appeared in a quarto containing every Shakespearean sonnet.

Are there any similes in Sonnet 130?

Shakespeare relies on strong visual imagery to deliver the similes in Sonnet 130. These devices ultimately demonstrate the type of love he shares with his beloved. For the majority of this sonnet,…