What are the characteristics of Baroque literature?

Characteristics. The Baroque style is characterized by exaggerated motion and clear detail used to produce drama, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music.

What is Baroque style in literature?

In literary studies and rhetoric, a style of writing that is extravagant, heavily ornamented, and/or bizarre. A term more commonly used to characterize the visual arts and music, baroque (sometimes capitalized) can also refer to a highly ornate style of prose or poetry.

What was the purpose of Baroque literature?

The main features of the literary style known as baroque are a great emphasis on originality and an overabundance of stylistic devices, particularly metaphors, hyperboles, and antitheses. The purpose of a literary work was to move the reader and to evoke strong emotions in him/her.

What is the theme of the Baroque?

Some of the qualities most frequently associated with the Baroque are grandeur, sensuous richness, drama, vitality, movement, tension, emotional exuberance, and a tendency to blur distinctions between the various arts.

What is baroque language?

Adjective. Baroque came to English from a French word meaning “irregularly shaped.” At first, the word in French was used mostly to refer to pearls. Eventually, it came to describe an extravagant style of art characterized by curving lines, gilt, and gold.

What is baroque classical music?

Baroque music (UK: /bəˈrɒk/ or US: /bəˈroʊk/) is a period or style of Western classical music composed from approximately 1600 to 1750. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts.

What is Baroque language?

Who is the first Baroque artist?

Caravaggio (1571–1610), born and trained in Milan, stands as one of the most original and influential contributors to late 16th century and early 17th century European painting. He was known for painting figures, even those of classical or religious themes, in contemporary clothing, or as ordinary men and women.

What does the word Baroque literally mean?

irregularly shaped
Adjective. Baroque came to English from a French word meaning “irregularly shaped.” At first, the word in French was used mostly to refer to pearls. Eventually, it came to describe an extravagant style of art characterized by curving lines, gilt, and gold.

How is Baroque art different from Renaissance?

The difference between Baroque Art And Renaissance is that Baroque art is generally characterized by ornate details whereas Renaissance art is characterized by the fusion of Christianity and science which creates realism through art.

What are the two main themes of Baroque music?

Essential themes of the baroque

• Theatrum Mundi: Life as a Synthesis of the Arts.
• Baroque as a Concept of Style and as a Historical Era.
• Pathos and Drama.
• Rhetoric and Concettismo.
• The “Last Things”

What is another word for Baroque?

In this page you can discover 38 synonyms, antonyms, idiomatic expressions, and related words for baroque, like: elaborate, ornate, extravagant, flamboyant, florid, bizarre, rococo, irregular, plain, churrigueresque and high-wrought.

What is the definition of Baroque literary style?

Merriam-Webster, 1999) ” Baroque literary style is generally marked by rhetorical sophistication, excess, and play.

Who are the writers of the Baroque period?

In this lesson we will learn about Baroque Literature, and particularly the English Baroque writers such as John Milton and the Metaphysical Poets (such as George Herbert).

When did the Baroque age start and end?

‘Baroque Age’ is often used to designate the period between 1580 and 1680 in the literature of Western Europe, between the decline of the Renaissance and the rise of the Enlightenment.” (William Harmon and Hugh Holman, A Handbook to Literature, 10th ed. Pearson Prentice Hall, 2006)

How did architects create illusions in the Baroque period?

Baroque architects sometimes used forced perspective to create illusions. For the Palazzo Spada in Rome, Borromini used columns of diminishing size, a narrowing floor and a miniature statue in the garden beyond to create the illusion that a passageway was thirty meters long, when it was actually only seven meters long.