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What episode is the elevator scene Evangelion?

What episode is the elevator scene Evangelion?

At Least, Be Human
“At Least, Be Human” is the twenty-second episode of Neon Genesis Evangelion.

Why did Shinji choke Asuka at the end?

The card translation says that Shinji started to strangle Asuka because he wanted to confirm that rejection and denial exist once more. By going back to a world where rejection and denial exist, Shinji has admitted that he feared them, and faced that fear.

What episode does Asuka fight Eva series?

Episode 22

Written By Hideaki Anno, Hiroshi Yamaguchi
Directed By Akira Takamura
First Aired 2-28-1996
Episode chronology
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Does Neon Genesis Evangelion have good fights?

Neon Genesis Evangelion is littered with some spectacular battles against the invading Angels. For a story that’s largely about the various forms humanity can take and still survive, Neon Genesis Evangelion is littered with some spectacular battles against the invading Angels.

Which is the best scene in Evangelion so far?

Shinji’s toothpick scene and the introduction of Pen-Pen add the lighter mood. Then, almost immediately, the series shifts in darker tones as Shinji relives his first angel fight, and then pretends to be asleep as Misato tries to console him.

Why are the introduction scenes in Evangelion so important?

The introduction of Asuka, in both instances, provides the series with a new direction, ultimately forcing Rei and Shinji to re identify who they are as individuals. All that plot stuff aside, both introduction scenes are set against intriguing fight scenes.

Who is the director of the movie Evangelion?

Yoshiyuki Sadamoto’s design work on Evangelion is fantastic, and show’s artwork looks better than ever in the HD transfer. As for the actual animation, though, it’s important to remember that Gainax was really short on money when making the series.

What’s the name of the song at the end of Evangelion?

An instrumental version of this song is used during the Evangelion ending in Super Robot Wars Alpha 3. Notably, the song plays during a far more optimistic version of the events of End of Evangelion, with Shinji and Asuka rescuing Rei and averting the Human Instrumentality Project.