Users' questions

Why did Sylvia Plath reject her mother?

Why did Sylvia Plath reject her mother?

When The Bell Jar was first published in January 1963, it appeared under the pseudonym Victoria Lucas, because, according to Sigmund, the author did not want to upset Aurelia or other people who feature in the book. Aurelia died in 1994.

Who is Medusa the poet?

Louise Bogan
Louise Bogan is one of the most accomplished American poet-critics of the mid-20th century.

Did Sylvia Plath have a mother?

Plath’s mother, Aurelia, published her own, highly selective edition of Plath’s correspondence, “Letters Home,” in 1975, and died in 1994. After Plath’s death, Hughes raised their two children, remarried, became the British poet laureate, and, for the most part, kept his silence about Plath.

Who is the Medusa in Sylvia Plath’s Medusa?

My essay addresses the image of the Medusa in Sylvia Plath’s 1962 poem “Medusa.” I postulate that the two images of the Medusa that appear in the poem (as a jellyfish and as the Monster), which are both directed at Plath’s mother Aurelia, do not suggest that the poem is one of hatred directed at her mother.

What is the meaning of the poem Medusa?

Dragging their Jesus hair. Did I escape, I wonder? repair. Touching and sucking. I didn’t call you. I didn’t call you at all. Paralyzing the kicking lovers. Of the fuchsia. I could draw no breath, Overexposed, like an X-ray. Who do you think you are? A Communion wafer? Blubbery Mary? Ghastly Vatican. I am sick to death of hot salt. Hiss at my sins.

Is there anything between US by Sylvia Plath?

There is nothing between us. Do you have any comments, criticism, paraphrasis or analysis of this poem that you feel would assist other visitors in understanding the meaning or the theme of this poem by Sylvia Plath better? If accepted, your analysis will be added to this page of American Poems.

What are the body parts of the Medusa?

In the poem, the Medusa is described as a collection of body parts: mouth, eyes, ears, head, umbilicus, placenta. This technique is called synecdoche, in which smaller parts represent a larger whole.